care leavers, change through music, folk music, leaving home, media, social work and child care, social work changes

Care Leavers, Kinder Shores and the future Part 1

It was Care Leavers week recently and the media coverage was poor to say the least.  There was, of course, the inevitable national coverage of leaving foster care and the happy successes but at a local level, here at least, it was very poor. Now I accept that we are talking about a minority issue compared with the bigger issues the country currently faces and the major social problems highlighted by austerity.  They are, however, a significant minority who consume a large percentage of the time and finance of the public services as at worst their daily struggle to survival on the street, feeding addictive habits, fighting hunger, desperation and discrimination require substantial service input. At best there is a need for support, counselling , and advice as they make their way through life’s journey and its ups and downs without the love and security of their own family networks. I also accept that social work needs success stories and that the rise in care experienced adults who are prepared to share those stories with the media is very positive. Social work can get things right but we also need to be certain that we keep up the pressure on improving services and making those changes that mean that so many of those we have rescued do not then get abandoned and rejected by the rescuers. Rescue is not enough. Protection is not enough. To paraphrase, the now somewhat discredited Bruno Bettleheim love is not enough but must be supplemented by determined efforts on the part of the parent. Local authorities who represent the public parent must be prepared to act as parents and that does not finish at 18,21 or 25 does it? Any  parent would tell you that.

So determined efforts must be made by the public parent to ensure the wellbeing of its children. This , of course, includes effective shared care arrangements when birth parents are involved. Recently David Akinsanya told me that he was going to talk at an awards ceremony for children in care about life long relationships for those children. I have a life long relationship with three young people for whom I was a social worker and contact with several others. It left me thinking about what that actually means and how it could possibly be achieved within the frame-work of public care. I have done it as myself in a sense and not as part of my professional task though I perhaps do not draw such a clear demarcation between the two things as others. Not everyone either sees this as appropriate or as a practical proposition for them. If it is institutionalised, ie made part of the professional role and subject to regulation and inspection then no doubt there would be those wanting payment and the very essence of the arrangement would be strangled by safeguards and formulaic visiting schedules. David and I have talked publicly about this for a long time including through our training course and we can prove the need, the benefits and show from our own experience the value to these relationships but have never sufficiently resolved the how. So we have fallen short in allowing the idea to drop into the hearts and minds of social workers and young people but equally allowed overstretched local authorities to dismiss the idea as too difficult as we have offered no way forward.

We are therefore left with generations of young people and adults who are care experienced who live daily with loss, anger, painful memories, and so on. Whose adult lives continue to be determined by a difficult unresolved past. When I started the Kinder Shores project I hoped that the words and music would open up the issues to the public in a way that standard media approaches have not been able to do despite great efforts on the part of many organisations and individuals. I have discovered that it is hard to get the public perception of care leavers moved on past those images of rescue and gratitude, of the need to pull their socks up and get a job rather than live on benefit and on the street and the image of wonderful foster carers who have taken these poor children into their families and yet have been repayed by ingratitude marked by unacceptable behaviours. That may all be too much of a generalization, or too harsh but I am now able to sometimes say things I could not say in my professional capacity. We have to change this perception and make the public see the real issues for the children we have parented through the public purse. We need to make care work for them in their childhood and through to their adult life.

Though CD sales are now slowing Kinder Shores goes on with an exciting project to develop a play with a local Youth Theatre based on one man’s journey through care. Planned for May/June 2019 I hope this will bring out some of the issues behind the obvious media stories and perceptions about care as well as making money for the charity. Once the piece is written then maybe this can be used elsewhere to open up the debate and to get the messages about care to more people. But in the interim I propose to look at some ways that lifelong relationships may work in Part 2 of this blog. Other wise it would be too long and you would never read it! Care leavers may be a small group of people in our society but they are our children, society has created the system for protection and rescue but it has yet to create a real response to their need for parenting as children and on into their adult lives. We must continue to work with the care experienced to find the answers,  with responsible authorities to develop systems fit for purpose and governments to face funding responsibilities now and in the future.

Look out for Part 2. and remember there are still CD’s available through Amazon or Folk on the Pier website. Check out the charity on http://www.kindershores.org.

CD cover image KS

 

 

change through music, folk music, memory, music, social work changes, Social work, child care and history of social work, Uncategorized

Traces and feathers falling……..

traces and memory 2

Sometimes a hint of something is enough to bring back a very strong memory, enough to bring you  to the moment with all the senses and feelings that it engendered in its original being. Scarily strong ,the sensations can be almost physical. It can  be a pleasure to revisit a past love or special moment equally if it was traumatic in origin then it can be sad, upsetting, and painful. Sometimes we do not have control over what triggers there are and what they will bring to us.

For me music regularly transports me to a memory, though sometimes that brings sadness mostly it brings delight and joy. Occasionally it leaves me with a question which may simply be I wonder where that person is now,  a piece of my personal story that is left unfinished or perhaps an unanswered question from the past that remains into the present but long since buried.

I recall being shocked by a strong recollection of my first husband being brought back in a Norwich street. It was the way this man had walked and I  gasped and for a split second I  was certain that it was him although there was no way it could have been. But I was shaken by the strength of the feeling. Later playing Traces ( Ralph McTell) I understood.The wonderful Ralph McTell who can so simply and elegantly capture the essence of humanity in his writing explained it. I have been fascinated by this phenomena ever since.

“Maybe it was the way she rose from her chair, a trace of something in the air”

Walking the dog recently the scent of the damp grass and the coldness on my feet of the dew took me back to camping with Jack when we had spent the night ” laying on our backs watching feathers fall from angels” to quote one of my other favourite song writers Gerry Colvin. Jack and I had lain there till the dew fell and the grass smelt sweetly of the damp of the evening. It was a flash of a memory before the duties of a dog walker returned me to reality. I wonder where he is today?

I return to Essex fairly regularly so one might expect that the memories would come thick and fast.  I sometimes pass somewhere and think Don lived there or whatever but a couple of weeks ago I was driving down the A12 over that horrid concrete slab road surface which has been an uncomfortable feature of part of Essex for as long as I can remember. The bumps in the road took my thoughts to another era of my life and events I had long forgotten.  In the days when the new Social Services Department was responsible for homelessness there were in Essex homeless persons units, as there were all over the country. Often based in old workhouse buildings, or surplus forces accommodation they provided families shelter. Frequently we were present at evictions and transported them from there to the allocated unit. One such unit was at Stanway just outside Colchester, this had  been a workhouse and was by this time an Elderly persons home and the homeless unit.

St Albrights. It had indeed been a workhouse for the Lexden and Winstree Union, just off the A12 it was built in 1836 for 330 inmates. It had later been a hospital, Elderly persons home and Social Service department offices. Sadly as with many of these wonderful buildings, often of innovative and notable design at the time, it now lies mostly unused and unloved hopefully destined for housing rather than a spa or other leisure facility. I always feel that if they continue as housing or in some other community usage then they continue to fulfil the original mission of the build and the design. There is some justice in this for such a wonderful old building in whose walls so many have lived, suffered, died and frequently been offered safe sanctuary from a world in which they had become vulnerable and alone.

Look where the bumps in a road have led my thoughts. But to return to homeless persons units for a moment. I recall as a child watching the family opposite our home in Balmoral Avenue, Stanford le hope being evicted. All their possessions piled onto the side of the street and they sat there Mum, Dad, kids and the dog. My father pulled me away but I worried about them for days. Where did they go? What happened to them? I was about 10 or 11. I didn’t understand. Later I attended several evictions and transported what I could of their possessions to a unit providing grim, multi occupied accommodation with shared cooking, washing and toilet facilities based in huts once used for the forces or buildings in ex workhouse complexes. It was the saddest of jobs. The smells and noise of those units, the fights , the poverty and hopelessness hanging in the air stays with me today. And we charged them rent! And used to visit to collect arrears from the homes they had prior to eviction!!! When I visited Southwell, the National Trust workhouse there are rooms from when it took in homeless families. As I entered I stopped, caught my breath and fought back the tears, I was literally brought to a standstill. I had condemned people to this,albeit in good faith and it did have the benefit of keeping the family together unlike some other homeless policies. Small comforts;  the sickening smell returned to my nose and throat .

The train of thoughts came from those uncomfortable bumps on the A12. These are powerful traces from our story and for me they are containable, understood and controllable. Imagine how it must then be for those who have associations from those traces of trauma, disaster, pain and so on, for those for whom the hint of something in the air does not bring warmth, happy memories, laughter and love but anger, misery ,pain and sadness. No answers just some thoughts. And I am still wondering about where we “watched the feathers fall from angels” and where Jack is now.

References

  1.     Traces. Ralph McTell.   Slide the Screen  Away 1979
  2.     Watching Feathers Fall. Gerry Colvin. Back and Forth 2018
  3.     The Workhouse. English Heritage pub 1999
  4.      Southwell, Nottinghamshire. National Trust.

 

 

 

change through music, folk music, music festivals, social work and child care

It all comes round again. A week in Cropredy

Well… not quite Cropredy but just down the road in Warmington. A week in 100 words a day. Can I do this……..difficult for one who always uses too many words and repeats herself!

Sunday.   Arrived at Barry’s lovely cottage to a warm welcome. Having stayed here many times we have become friends and so seeing him is a great start to the week. It’s as hot as hell everywhere is brown , dusty and the soil has gaping crevasses down which  small creatures could lose their lives. It reminds me of that wonderful Oysterband song Mississippi Summer. I hum it while unpacking.  Later sat outside with Barry, one of his ex foster children, talked care ,social workers, cars,and drank wine till dark.

Monday.   Lay in. No dog to walk. Beautiful clear peaceful morning. Even having to splat several wasps didn’t detract from the calm. Walked round Cropredy village. Mused on the Battle of Cropredy Bridge, the Festival Bell and the chapter in history this Festival has written. Thought about living on a boat while watching the narrowboats slide by.  A man is painting the bridge and its so quiet, so calm, but there’s a trace of something in the air; memories ,anticipation, familiarity, maybe the unfamiliar too. The ‘festival family’ gathering to celebrate music, summer, and comradeship. The tribe will be here soon.

Monday evening… is this cheating?! Off to the Brasenose. For the uninitiated that is the pub in the centre of Cropredy . It has a festival fringe. Brilliant gig with the Gerry Colvin Band. Chatted with  a few regular festival goers about this years line up, the good , possibly not so good and the unexpected. Always an absolute pleasure to see Gerry and Tom Leary who turned up on his way back from Wickham festival. Late night then….

Tuesday.   Early start ?! I think not. Had lunch in Hook Norton with Ruth. There are  no barriers with the oldest and best of friends. The conversation is easy even when visits are not that frequent. Years ago we talked about new work events now it turned to the sadness and challenges that getting older brings and our determination to not give in. Loss is such a huge theme in later years and I recalled reading the “we are only on holiday here and all holidays come to an end”. I love Ruth’s positivity and thoughtfulness. Oh and she may help me out of the rut I am in with the book.

PS Also pranged my car in a slight argument with a difficult lady next door because I had parked by her bins. Life is too short to worry.

Tuesday evening.   Really cheating now. Had dinner with Barry and a young man who is ex care and lodges  with him. He cleaned my slightly battered car. It shone. He was reluctant to have dinner with a social worker. I find it so sad that those we are meant to “advise, assist and befriend” ,to use a favourite expression from the old description of a probation officer, dislike and distrust us so much. He was lucky that he was fostered by someone who will continue to care for him throughout his life and to give him a home when he left care. We agreed that everyone in care just needs that one person to care enough to help them turn their life around.

Wednesday.    It all begins to today. Great meeting with Wendy CEO at Rees Care Leavers Foundation. Ideas flowed. Very positive. Next wristbands and the chatter, hugs  and laughter in the queue starts a weekend of friendship, fun and great music for the tribe. The tent next. Simple. A pump up tent. Takes minutes, absolute genius. Set up and off to eat. Then on to the Trades and Labour club in Banbury for Trad Arrr’s festival warm up concert. Now becoming a tradition in itself. Fab gig. The music starts here.

Thursday.   Relaxed and thoughtful morning. Considered blogs and books, the ideas from yesterday about care leavers life stories and records. Forget about the complexities of the Data Protection Act and Local Authority regulations and legalities for a moment , there is a simple truth in all this . My family  and personal history is mine and accessible to me so why is this simple dignity not afforded to those who have been in public care? The struggle to get records, the heavy redactions, the counselling if you are adopted, the gaps, the emptiness of not knowing, is just cruel. There must be a better way. Not everyone can get on Long Lost Family. Maybe that is the Kinder Shores project.

Thursday evening.   4pm .Fairport take the stage and we are off. The chairs and flags are staking out small territories on the field while the rest of us drift around the edges,  the bar and the pit. Police Dog Hogan have a bit of a technical nightmare, the Oysterband sound is too low (shame as they are one of my all time favourite bands)and Brian Wilson despite being a legend is not quite with us. A great evening. Great music from everyone. I get quite over excited by the sight of Kinder Shores on the Cropredy merch stall racks,  in the programme and mentioned on stage. There is a familiarity about it all, same stalls, layout, timings, and I wonder if this is a good or just that we are now the elder tribe who like that comfort. But it is the people and the music who make this festival so maybe this doesn’t matter.

Friday.    Meet school friends Denise and Linda. We are now all rising 70. We talk families, grandchildren(I’m a bit out of that one!), holidays, other friends from the grammar school days and inevitably illness and aging. I always said I would never do this but health is so critical in this phase of life it is unavoidable. We think we are much the same people as we were back in the day. This is may be true.  We review whether we reached the potential we thought we had then and if we took the predicted direction. Decided that the teachers predictions were well…..wrong. Love these meetings. Back to the music. Excellent. Some not my taste but good. Kate Rusby did a beautiful set and Cregan and Co and Le Vent du Nord rocked it. COLD cold evening, needed woolly hat and gloves.

Saturday.    How quickly the last day comes around. Festivals are fleeting joys, a time limited oasis away from our usual lives. We sit in the rain and sun, stand till we ache, cheer, dance, wave paper hankies for Richard Digance’s biggest Morris dance ever, wear strange colourful clothes and hats, paint our faces, make new friends, meet old friends, drink too much or not enough, eat food that should have a health warning, suffer chemical toilets and go home happy but sad it’s over till next year. For the musicians it’s a great festival in the run of summer festivals , just another gig?  Not this one, this is different, this is “family” , this is the Fairport tribe.

Oh well. Same time, same place, next year. See you all somewhere down the road.

meet on the ledge

care leavers, change through music, folk music, leaving home, media, music, social work and child care, social work changes

Kinder Shores and a broken spirit

I have been musing , thinking, reflecting, deliberating and all that about the Kinder Shores project and how the project has gone. It’s a social work skill that we could not survive without and I do it almost unconsciously after all these years. Leave aside the obvious new skills that I needed to learn there have been a number of interesting twists and turns to getting to this point in the project and they have probably left me with more questions than answers particularly about my profession.

Perhaps the most striking and saddest issue is the lack of enthusiasm displayed by my professional colleagues both as individuals and through their organisations. I must not include everyone in this of course. There were a few who supported the concert, bought the CD and have been very encouraging, these have mostly been people who I know personally or who I have worked with in the past. Many of those who have shown interest initially faded into the background or were moved to other jobs or went sick!  The local authority boss showed great enthusiasm but there was no downward communication and when I finally took to my car and drove round all the leaving care teams no one had heard anything about it!

The Public face of social work

The experience of visiting and getting access to these social work offices turned out to be a lot trickier that I imagined. To start with there was the barricaded office with the receptionist behind the grill who was not about to let me see anyone and told me to make an appointment to come back another day after another  40 mile round trip. I don’t think so…… eventually after some insistence or rather bloodymindedness on my part a charming social worker appeared. The office I didn’t visit I sent posters with no response not even an acknowledgement. Then there was a council receptionist in some shared office who was not letting me in until I could tell her who I represented. Clearly my “I am representing myself” line was not at all convincing. But this was, I thought, the best , or do I mean the worst. The team I wanted was upstairs in shared council offices but  I was shown a telephone to one side in the reception area and told to ring a number in another town 40 miles away to access the people upstairs!! Just one receptionist was smiling , helpful and accessed the team who, though under great pressure, treated me with interest and respect. Now if I was a distressed 17 year old, whose social skills are poor and who is attempting to engage with someone to help them they would have been deterred so easily especially as it may have taken a good deal of courage to go into the office at all.  What happened to……. have a seat , do you want a drink and I’ll see if I can find someone to help you??? I left feeling that like the enemy, a danger to the organisation or its staff in some way and I am sure that young people or others seeking help would feel the same. The fact that the receptionist may wear corporate colours or a name badge really does not make up for being genuine in the wish to offer help. I totally get why some prospective clients may choose to “kick off”. Sadly this is a vicious circle and that will result in more bars and grills, and restrictions to access and of course the organisation could not be the ones at fault.

Marketing this client group.

Not easy is the short answer as I am sure many others have discovered over the years. There is little sexy about homeless, difficult, addicted, mentally ill young people who the general public think should be grateful for their rescue from  their abusive childhoods and the chances they have been given. I guess there is also a section of the public who feel that they get given too much and that somehow the whole mess is their fault. To be fair most people do not understand the terminology that we use around the care experience and confuse it with young carers, carers of the elderly  and so on. So it is a real challenge to make  anyone part with hard earned cash especially when they also feel that they are having to pay again for something which should be properly funded from their council tax. I may not have marketed this well this time so next time I think I will raise money for starving animals! An equally deserving cause before anyone gets upset.

The Corporate “Whatever”

All the social workers I finally met after breaking through reception were interested and engaged with the charity proposal no matter how many emails there were demanding their attention elsewhere. I was greatly cheered by this but equally there was a sense from them that they were not going to take it away into the organisation with any enthusiasm because there would be no point. When I tried to engage them with the idea of involving young people through  the In Care Council or by giving them the opportunity to talk to the public or do radio interviews with me there was no response . When I told one member of staff that I could get no response from the In Care Council the reply was “you never can” and a shrug. The response from another social worker to my wondering why the information had not been disseminated down to the teams was another shrug. There was no effort to suggest action about this just a corporate “whatever”. I am saddened by this feeling of depression or suppression of the social work spirit. I am sure the clients they work with must sense this too.

Answers

I have none. I am outside looking in these days. But I know that things have changed for the better in many areas but at the expense of morale, and a broken spirit. Some years ago I can see that the child care and leaving care  teams would have engaged wholeheartedly with this project, even if it was after hours, engaged the young people, and had lots of ideas to share.  But not now.  I do not have an answer to the broken spirit of social work sadly. But those who have engaged with this whole thing without question have been musicians and those working in the theatre industry, so the question I can answer is “Can you change lives through music” and the answer is very definitely  YES.

 

For more information about Kinder Shores  http://www.kindershores.org

CD’s on sale from Amazon or Folk on the PierCD cover image KS

 

 

 

care leavers, folk music, leaving home, social work and child care

Kinder Shores and the power of music

Can music change things? I hope so or else I am definitely heading down the wrong path at the moment. Kinder Shores is a CD and a concert to raise money for a project to provide specialist counselling for young parents who have been in care during their childhood. To find out all about it go to http://www.kindershores.org.

There were two inspirations for this project. The first my years in social work and my continuing contact with those who were in care as children and young people. I am privileged to still know them. I know that they may leave care but it never leaves them. The issues that come with being separated from parents as a child  continue on into adult life colouring a whole range of life experiences particularly those to do with relationships and parenting. I have long-held that if while in care more therapeutic help was available this would be partially resolved but I know too that sometimes we have to work on issues when we are ready. For some young people who, in their adult years, may want the help it is sparse in availability and certainly not specialist enough to deal with the specific issues about being parented outside your birth family. So this project is greatly needed in my opinion.

Having left care more than 30 years ago, and on the surface, a successful adult life, it was only when I became a father in my 50’s that I realised I still needed to talk about my childhood. I was lucky to have the ongoing support of my social worker who helped me through some of my issues. It amazes me that there isn’t counselling available to all care leavers. Not only to deal with issues that took us to care but often for the inhumane way we feel treated whilst in care, especially feelings of abandonment when we do leave, often without the skills to cope alone whilst so young.

These are the words of David Akinsanya brought up in care he is a journalist and campaigner now and they encapsulate perfectly the need for this counselling service.

The second inspiration came through my love of music. Much of the music in the folk and folk rock world is driven by exploration of injustices, by the world of the ordinary working man, of politics, of  opening up emotion and feeling, and the need to change the world for the better . Often the  songwriters observation of the world and people around them is unerringly accurate and it can connect us with  feelings we have hidden, ignored, or that simply relate to our experiences in life. More importantly they can sometimes connect us to other people’s feelings and life experience bringing awareness and understanding. And so there was a song that provided the final push to get this project underway, when I heard this song I knew exactly what it was about. It speaks of so many of the young people I have met, of their pain, their anger with the world that has treated them so poorly. It tells too,of the complex nature of the “rescue” of any adult attempts to make their world safe and secure and  of the nature of therapeutic endeavour in whatever arena. She’s the One written by Suffolk singer/songwriter Eric Sedge became both the inspiration and gave me the title for the CD, the concert and the project. Kinder Shores is exactly what I want to help to achieve for these young people, to find peace and tranquillity in their lives for them as individual adults and for their loved ones and children.  The words speak for themselves , here are the lyrics reproduced with Eric’s permission.

She’s The One

She’s the one with bad behaviour,

She’s the one who wants to fight,

She’s the one with the reputation,

She’s the one who bites.

She’s the one with all the bruises,

Tears in her eyes,

She’s the one who talks the loudest,

Covers up with lies.

Hush now Babe, I know you’re Frightened,

Hush now Babe I know you’re Scared,

Don’t you know your Daddy Loves You,

Don’t you know we all care,

 So breathe in and out again

 I saw you drowning off the headland with the waves coming in,

Shackled to your history, chained by your father’s sins,

So I raced into the shallows, to set you free,

But the undertow from long ago knocked me off my feet.

And the waters near engulfed me, but life has made me strong,

So I pulled you from the wreckage of a life gone wrong,

And we built you the finest clipper, now we’ll be your faithful crew,

So set a course to kinder shores may your path be true

Hush now Babe, I know you’re Frightened

Hush now Babe I know you’re Scared 

Don’t you know your mummy Loves You

Don’t you know we all care 

                                                         So breathe in and out again                                                          Eric Sedge

 

So can music change things? Yes it can. It can change how individuals feel, it can provide comfort in difficult times, it can offer explanations, it can make us dance and sing, give us joy, share our happiness, it can inform, explore and inspire. This CD has a narrative to the tracks that explores the issues that face these young people gthe world often without the skills and support to cope  but it also has songs that speak about the possibility that in overcoming the difficulties there will be a better future out there. This music informs and inspires hope. If we all come together and share this music it can change things for these young people and their futures.

For more information

http://www.kindershores.org      http://www.reesfoundation.org    http://www.ericsedgemusic.com

john lennon 2