care leavers, folk music, leaving home, social work and child care

Kinder Shores and the power of music

Can music change things? I hope so or else I am definitely heading down the wrong path at the moment. Kinder Shores is a CD and a concert to raise money for a project to provide specialist counselling for young parents who have been in care during their childhood. To find out all about it go to http://www.kindershores.org.

There were two inspirations for this project. The first my years in social work and my continuing contact with those who were in care as children and young people. I am privileged to still know them. I know that they may leave care but it never leaves them. The issues that come with being separated from parents as a child  continue on into adult life colouring a whole range of life experiences particularly those to do with relationships and parenting. I have long-held that if while in care more therapeutic help was available this would be partially resolved but I know too that sometimes we have to work on issues when we are ready. For some young people who, in their adult years, may want the help it is sparse in availability and certainly not specialist enough to deal with the specific issues about being parented outside your birth family. So this project is greatly needed in my opinion.

Having left care more than 30 years ago, and on the surface, a successful adult life, it was only when I became a father in my 50’s that I realised I still needed to talk about my childhood. I was lucky to have the ongoing support of my social worker who helped me through some of my issues. It amazes me that there isn’t counselling available to all care leavers. Not only to deal with issues that took us to care but often for the inhumane way we feel treated whilst in care, especially feelings of abandonment when we do leave, often without the skills to cope alone whilst so young.

These are the words of David Akinsanya brought up in care he is a journalist and campaigner now and they encapsulate perfectly the need for this counselling service.

The second inspiration came through my love of music. Much of the music in the folk and folk rock world is driven by exploration of injustices, by the world of the ordinary working man, of politics, of  opening up emotion and feeling, and the need to change the world for the better . Often the  songwriters observation of the world and people around them is unerringly accurate and it can connect us with  feelings we have hidden, ignored, or that simply relate to our experiences in life. More importantly they can sometimes connect us to other people’s feelings and life experience bringing awareness and understanding. And so there was a song that provided the final push to get this project underway, when I heard this song I knew exactly what it was about. It speaks of so many of the young people I have met, of their pain, their anger with the world that has treated them so poorly. It tells too,of the complex nature of the “rescue” of any adult attempts to make their world safe and secure and  of the nature of therapeutic endeavour in whatever arena. She’s the One written by Suffolk singer/songwriter Eric Sedge became both the inspiration and gave me the title for the CD, the concert and the project. Kinder Shores is exactly what I want to help to achieve for these young people, to find peace and tranquillity in their lives for them as individual adults and for their loved ones and children.  The words speak for themselves , here are the lyrics reproduced with Eric’s permission.

She’s The One

She’s the one with bad behaviour,

She’s the one who wants to fight,

She’s the one with the reputation,

She’s the one who bites.

She’s the one with all the bruises,

Tears in her eyes,

She’s the one who talks the loudest,

Covers up with lies.

Hush now Babe, I know you’re Frightened,

Hush now Babe I know you’re Scared,

Don’t you know your Daddy Loves You,

Don’t you know we all care,

 So breathe in and out again

 I saw you drowning off the headland with the waves coming in,

Shackled to your history, chained by your father’s sins,

So I raced into the shallows, to set you free,

But the undertow from long ago knocked me off my feet.

And the waters near engulfed me, but life has made me strong,

So I pulled you from the wreckage of a life gone wrong,

And we built you the finest clipper, now we’ll be your faithful crew,

So set a course to kinder shores may your path be true

Hush now Babe, I know you’re Frightened

Hush now Babe I know you’re Scared 

Don’t you know your mummy Loves You

Don’t you know we all care 

                                                         So breathe in and out again                                                          Eric Sedge

 

So can music change things? Yes it can. It can change how individuals feel, it can provide comfort in difficult times, it can offer explanations, it can make us dance and sing, give us joy, share our happiness, it can inform, explore and inspire. This CD has a narrative to the tracks that explores the issues that face these young people gthe world often without the skills and support to cope  but it also has songs that speak about the possibility that in overcoming the difficulties there will be a better future out there. This music informs and inspires hope. If we all come together and share this music it can change things for these young people and their futures.

For more information

http://www.kindershores.org      http://www.reesfoundation.org    http://www.ericsedgemusic.com

john lennon 2

 

 

 

 

 

media, Social work, child care and history of social work, Tv drama

Just wanted to say a word about Kiri….if a little late.

 

KIRI
Miriam (Sarah Lancashire)

I didn’t know whether to cheer or cry or both! My response to Miriams’s outburst to the assembled media wolf pack  was a moment of sheer delight. Forget all the stuffy, prissy nonsense in the media about the portrayal of social workers in Channel 4’s mini series Kiri, I at last saw something that represented how I feel about my profession.  How often have I wanted to openly talk with such passion and such humanity about a piece of work, about how I feel for a child for whom  I have responsibility. We cannot do it without risking the heavens falling in on us. Even in business meetings it is rare and frowned upon by others who see it as unprofessional.

If we are going to get nitpicking about our portrayal on the media, especially in drama productions, then it will never happen in a way that will make us seem a mainstream emergency service. Of course it will not be a totally precise picture, the procedures will not be complete or accurate, and there may be an added dramatic edge to some characters because it is a drama, it is entertainment and not a training video for the general public.vintage-sw-image-3

A picture of us all sat at computers, filling in forms and attending meetings and panels would be like watching paint dry the only excitement being complaining about cold coffee or the irritation of road works when we are characteristically late for a meeting. So we have to stop posting about procedural inaccuracy, dogs in offices and social workers drinking  and embrace the essence of our work that the public are more likely to engage with when more dramas are commissioned. I would give the very wonderful Sarah Lancashire a contract for a soap  around the same character.

I imagine that the police, doctors, nurses, lawyers and many others feel misrepresented from time to time and no doubt the backlash is that the public want them to behave as in the latest TV show. However they have the public ear and eye, who will have a much clearer view of what it is that they do and how they do it perhaps, more importantly, they may also get some understanding of why they do it.  Themes about complex issues around right and wrong, of difficult social issues, and the daily impossible decisions faced are all possible to explore through dramas. This becomes easier than documentaries where the personal and private issues of identifiable individuals may not be acceptable to explore so widely.  As a profession we have to sit back, embrace the possibilities and accept the flaws.

I believe the payoff will be huge. And incidentally I know social workers who have the odd drink, who take dogs to work and who have difficult and complex lives themselves. There is more that unites us with our clients than divides us however high we may wish to put our professional pedestals. I thought this was well portrayed when Miriam gets the only real comfort in her impossible situation from her ex clients. There is no warmth from her colleagues or her line manager who despite themselves settle for toeing the company line and offering her nothing by way of help, support or even a kind word. I have had great support from those I have worked with in many situations, they understand difficulty, trauma, pain, anger and all those emotions we share with them from time to time in our lives. We would all do well to remember  that in other circumstances we could be in their position in life. While the focus of any work is their situation not ours, all the pain and emotion to work with is theirs not ours there remains a place outside the therapeutic relationship for simple humanity, acts of kindness and solidarity without any negative impact on the “work”.

If Kiri did anything as a drama then it reminded me of why I became and stayed  a social worker and I hope it showed that to the watching public. Well done Channel 4 and Jack Thorne.

PS I don’t drink at work but I have taken my dog to work.

 

jo cox